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The gist: Roughly translated as "Children's Games", Love Me If You Dare depicts the bizarre relationship between Sophie Kowalsky (Marion Cotillard) and Julien Janvier (Guillame Canet). Set in France, Julien first crossed paths with the free-spirited Sophie when he rescued her from the children who bullied her for being of Polish descent. Little Julien temporarily handed the small tin carousel-shaped box, a memento which his dying mother earlier passed on to him, to Sophie, hoping that she would feel better and that eventually, when she does feel better, she will return it to him. However, being the mischievous child Sophie is, she demands that Julien must do something to earn the tin box back. Thus, their dangerous child's play begins.

Their game, where the one who currently holds the tin box dares the one who doesn't, seemed to be an innocently mischievous one at first---that was until it caught up to them years later. As teenagers, Julien and Sophie continued their silly children's game, earning the chagrin of Julien's father, who was already widowed by Julien's mother since the year Julien met Sophie. Ultimately, Julien was forced to choose between Sophie's world of fun and adventure and the growing expectations and pressures a young adult must face, as reiterated by his father. In a span of several years, both of them refused to acknowledge their growing affection for one another, inconsistently separating ways, meeting again and then ultimately daring each other not to cross paths in more or less ten years. In a situation where they keep on coming back to each other despite the successes they're currently earning for themselves, will they find it in their hearts to admit that they a pure love has blossomed from their so-called children's games?

My review:


What I particularly loved about this film was its reasonably fast pacing. The film did not feel as if it was rushed or anything, the flow of the whole plot itself was very much satisfying that I did not find it hard to follow their lives as naughty little youngsters to successful grown-ups. The tin carousel-shaped box had gone a long way and it was fun witnessing how this little piece of child's play was often caught in between the lead characters' journey into accepting their feelings to one another---even if it had to extend until their mid-thirties. Such slow people, aren't they? In fact, it's easy to point out the irony in this film: fast pacing, slow leads. Nevertheless, this element of the film keeps the audience craving for more each scene, making them look forward to what these untypical romance movie characters would do next.

Colors play a big role in this whole piece of art. The scenes where Julien and Sophie were children are bright and colorful. Every red hue seemed as if they were triple the blush a typical red color exudes while every tint of orange and yellow could not be any brighter. The childhood scenes felt so exuberant that even the death of Julien's mother did not feel very sympathetic at all---it more or less felt comforting and peaceful.
 

Hues subsided upon the coming of age of Julien and Sophie. The backdrops for most of the teenager scenes were dull. I guess the reason why the colors and aura of the setting during these scenes were toned down was because the chemistry between the older Julien and Sophie should stand out. Fortunately, both of the lead actors were doing well with their acting stints and their chemistry was overflowing; they looked like a charming pair of lovebirds, only they weren't lovers just yet.



The eeriness of the film's love story started becoming obvious towards the second half of the film. Weirder events started ensuing in the story, bringing up more issues to ponder about as the film draws near to its conclusion. Scenes which include to this certain category are those parts where the two of them part ways then perform dares when they meet each other again and then part ways again. Their dares are growing more dangerous as the time goes by. I was quite taken aback by this sort of plot element, given that I have never encountered a great number of twists and turns of events in any film excluding this. Some of the dares between the two of them were witty while some of them annoyed me for some reason. At some point in the movie, I had this certain feeling of irate for Sophie and the nonchalance she exuded in most of the film. Fortunately for the character of Sophie, I loved the fact that Cotillard was the one who portrayed the role---her exquisite beauty kept me from entirely hating Sophie. As for Julien and the actor who played him, I could not complain. Canet has this laidback features in his handsome face that I can't seem to not notice. His whole stature and facial features fit the role of Julien.
 


A number of those people who reviewed this film before me have remarked that the ending of the film was unexpected. As for me, I have expected that the conclusion of Julien and Sophie's affair would wind up in a weird one like how it turned out in the end. True, who would've thought that the two of them would whip up something like that? Dangerous, unpredictable yet touching---a remarkable way to end a film filled with whirlwind turns of events. Love Me If You Dare is the first French film I have watched and although it received a generally poor feedback from the reputable Rotten Tomatoes dot Com, I do not care at all. The film, for me, is superb and artsy. This might not fall in to my Favorite Movies list but it certainly left a mark on me.


Director: Yann Samuell
Year: 2003
Writers: Jacky Cukier, Yann Samuell
Running time: 93 minutes

Comments

( 2 comments — Leave a comment )
[info]estemarie wrote:
Apr. 8th, 2009 01:55 pm (UTC)
agree.
i also loved that movie:)
[info]diencastillon wrote:
Apr. 8th, 2009 09:45 pm (UTC)
Re: agree.
Diba ang cute? I loved it. :) Hi Ste! :D
( 2 comments — Leave a comment )